We have extensive experience working with clients in various industries including: gaming, publishing, fine arts, non-profits, independent to A-list filmmakers, and corporate clients. We can assist with any post-production audio needs for projects ranging from marketing, advertising, pharmaceutical, independent film to blockbuster Hollywood projects.
“Since 1997, I have done post-production of my last seven films at Outpost in San Francisco, including LITTLE DIETER NEEDS TO FLY, MY BEST FRIEND, WINGS OF HOPE, INVINCIBLE, THE LORD AND THE LADEN, and most recently WHEEL OF TIME (not released yet). Through this work, I have been in a close working relationship with David Nelson who designed and mixed the sound of all these films (with the exception of “Invincible” which had – for reasons of an English co-production – to be mixed in London).
Mr Nelson’s technical professionalism is beyond doubt, and I have found this high standard elsewhere in the world, but what attracted me to Outpost was the all-pervading climate of creativity which inspired me from the moment I walked in. Mr Nelson was the epicenter of this creativity. He was much more than a technical collaborator. I owe him, for the example, the most improbable of all musical solutions for the end of LITTLE DIETER where he proposed to use an utterly obscure traditional recording from Madagascar of the 1930s which now illuminates the end of my film.
If Mr Nelson is under consideration for work which reaches far beyond mere technical professionalism, I highly recommend him.” – Werner Herzog
“I just wanted to report to you that I was pretty blown away by the sound that came out of my home system! The environmental sounds were clean and very spatial, and it really did add a cinematic quality to the film like you had suggested. It’s not like other documentaries that I’ve seen. With the Blu-ray quality picture and the sound all put together, I was completely blown away by the quality of the film. Anyway, I wanted to thank all of you again for the care and thought that you guys put into the project. As I listen to the sound design of the film, I can feel you guys there thinking along with the stories and that’s pretty cool.” – Adam Chin, “Graham’s Tales“
“For Rodrigo and I it was such a new experience being big on the screen and with 5.1 sound we were able to hear a lot of the little things that Outpost added that we hadn’t heard previous, and it really pushed the film to be even greater.” – Robert Machoian, “Forty Years From Yesterday“
“Thank you for the wonderful sound mix that you completed on our 20 minute documentary sample! It was incredible to listen to the before and after versions and we are greatly appreciative of your willingness to schedule us in at late notice. We had a fantastic experience working with you and hope to be back again soon!” – Jhanvi and Ketaki Shriram, “True Son“
“Just wanted to drop a personal note of thanks! Every time we’ve worked with you guys, you’ve nailed scoring and sound design to exactly our expectations. You’re great to work with and to discuss nuances and deliver in a way that our clients love what scoring can do to their motion and video pieces — so much so that we’re finding it easier and easier to add that on rather than going stock. You’re a top sound artist and studio to work with and for that we thank you!” – Harris Ueng of Duarte Design
“As a voice actor, I have the honor of icing the cake after you’ve baked it. The attention to detail and the professionalism of your recording engineers on the travel channel project was such a class act. Cheers.” – Andy Chanley
“The quietest sound studio in San Francisco. Love doing VO here & the Audio Gurus are top notch!” – Mo Melody